植物染色地毯的鉴赏


一种植物染料往往包含几种色素,每种色素都有其独特的色调和生化特性,因此,由植物染料产生的颜色其实由许多自然色调组成,看起来柔和而醇厚。地毯在本质上属于二维艺术形式,而植物染色的一些技术能产生三维的视觉效果并给眼睛带来愉悦。

天然染色和手纺毛纱在艺术上的优势是毋庸置疑的;它反映在收藏家和古董商在区分“好”和“坏”的颜色,以及“活的”和“死的”羊毛时的激情里。使用化学染料和机纺纱的理由要远比使用天然染料和手纺纱的理由多,前者容易而实用,并迎合大众市场;而后者则依靠人的手工技艺和辛苦劳动,生产效率(相比较)也更低。化学染色与机纺纱产生的效果单调平板,没有“截色”,或色调的变化。

截色,是地毯上的色带,从赤土色渐渐衍变为杏黄色,然后又转成黄褐色,再折回赤土色周围的无穷变调,这变化完美地映射了自然。看大地,你能看到截色,你也能在起伏的山脉,在沙漠,在大海,在秋天的田野,以及在老木家具的木纹里看到截色。去看一块天然染色的地毯,从一行接一行的毛纱结里,能看到它自己被制作的痕迹。天然染料和手纺毛纱有着悠久的伙伴关系,伴随着人类已经走过了数千年,它们在一起所产生的变幻效果,使人们认知到某些颜色如黄金般珍贵。化学染色与机纺纱产生的效果单调平板,没有“截色”,或色调的变化。

人类的眼和脑感受天然染色和化学染色时有很大的不同。一种染料,不管是化学的还是天然的,都会吸收某些波长的光而反射另一些。自然之色反射的光,往往比化学色包含更广泛的波长。换句话说,自然之色很少看起来是一个单一色调。比如,一种天然的红色看起来是红黄色,或红兰色,而不真是纯红色。与之相比,化学染料的色调是纯红、蓝和黄。染料反射波长范围的宽窄,是不同色调间和谐相处的一个重要因素。如果把红、蓝、黄三股化学染色的毛纱并排放在一起,整体效果会是不协调的。而如果把三股毛纱:土靛蓝,茜草红和槐米黄,也并排放置,整体效果会非常和谐。这恰是因为天然染料是复合的,反射了更广范围的波长,颜色之间总有色调的重叠,于是组合起来的和谐是更可能的。

随着时间流逝,自然之色将愈加柔美,而加增“古色”;植物染料也不会损伤羊毛,比如,靛蓝其实是为羊毛罩上了一层保护衣。植物染色制作的地毯将随年久而更有魅力,并成为未来的古董.

The plant is dyed the appreciation of the carpet

A kind of plant dyestuffs often include several kinds of pigment, each kind of pigment has its unique tone and biochemical characteristic, so, the color produced by the plant dyestuffs is actually made up of a lot of natural tone, seem soft and mellow. The carpet is a two-dimentional art form in essence, and some technology that the plant is dyed can produce the three-dimensional visual effect and bring to eyes joyful.
Is unquestionable that dye naturally and hands spin wool yarn advantage in art; It reflect it and it is antique trader collector it is at " fine " and " bad " color, and " the alive one " of distinguishing and "die "at the passion at the time of the woolses. Use chemical dyestuffs and reason that machine spinning want far than use natural dyestuffs and reason that hand spinning to be many, it is easy and practical for the former, cater to masses‘ market; The latter depends on people‘s craft skill and works arduously, the production efficiency (compare) is lower. Dye the dull plateform of the result of spinninging and producing with the machine, has not " cut the color " in chemistry, or the change of tone.
Cut the color, it is the typewriter ribbon on the carpet, has developed from red ashen for apricot gradually, then change into yellowish-brown again, the infinite modified tone that and then turn back around red ashen, this change has shone upon naturally perfectly. Look at the earth, you can see that cut the color, you can be in the mountain range rising and falling too, in the desert, in sea, in field for autumn, see that cuts the color in old wooden wooden line of furniture. Go to see a natural carpet dyed, while connecting one lines of wool yarn from the delegation and forming, can see the trace that it itself is made. Natural dyestuffs and hand spin wool yarn have long partnership, accompany by mankind already for thousands of years, the change result which they produce together, it is precious to enable people‘s cognition to some colors like gold. Dye the dull plateform of the result of spinninging and producing with the machine, has not " cut the color " in chemistry, or the change of tone.
Human eyes and brain experience natural dyeing and chemistry there is very big difference while dyeing. A kind of dyestuffs, no matter is chemical or natural, will absorb light of some wavelength and reflect others. The light that the natural color reflected, often include more extensive wavelength than the chemical. In other words, the natural color seldom seems it is a single tone. For example, a kind of natural one is red to seem that red and yellow, or red blue, without really red purely. Compared with it, the tone of the chemical dyestuffs is red, blue and yellow purely. The dyestuffs reflect the width of the wavelength range, is a harmonious an important factor that gets along among different tone. If and the wool yarn dyeing chemistry of red, blue, yellow three-strand is discharged together, the whole result will be incongruous. And if a three-strand wool yarn: The soil is indigo, it is cream-coloured with the Chinese scholartree that madder is red, put side by side too, the whole result will be very harmonious. This is just because the natural dyestuffs compound, reflect the wavelength of wider range, always there is overlay of tone between the colors, then the harmony combined is more possible.
As time passes, the natural color will be more soft and more graceful, and will add and increase " the ancient "; The plant dyestuffs will not damage the wool either, for example, actually cover one layer and protect clothing for the wool indigoly. Plant carpet made to dye up to annual and long and charming, become the future antique.
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